This blog is a visual articulation of MY views of the world around me. I will present various sides of arguments, and always sum them up with my own personal take.
My more entertaining/diverse/ridiculous/lovable blog can be found at http://mrjdjude.tumblr.com/ and I'll do all of my following from that blog as well!
Thanks and enjoy!
Catching Elephant is a theme by Andy Taylor
ARTICLE SHARE: "Is The Tyler Perry Hate Warranted?"
Yes, another post about Tyler. Like everyone else, I’m tired of the conversation about him, but of course, and especially because I’m directing the PLAY for colored girls… misinformed friends, family and strangers have asked the dreaded question “so are you trying to be the next Tyler Perry?” I can’t even begin to tell you how much this question boils my water (it’s this new thing I’m trying, work with me y’all)!
This article was shared for two reasons. The first being praise for what Tyler has done. Like the article comments, he is giving Black actors work (all be it the same ones…) and that isn’t happening too often in Hollywood. Like I’ve discussed before, there aren’t that many mainstream movies that feature Black actors. “Jumping the Broom” may be the only one we get this year.
The second reason is Tyler’s rant on Spike Lee. Spike deserves for someone to come back at him for all the shit he shovels out. Remember, Spike and nothing but an angry Black from NY. BUT Spike does have a point. They both have so much pride. If they could find a way to bury their pride, come together, and help create the next crop of Black artists than they could make something much better. Isn’t that why we are artists? To create something that will outlast ourselves? Shouldn’t we make spaces for the next generation to flourish? I wish they were more concerned about that then concerned with each other.
Anyway, check it out for yourself. Let me know what you think.
ARTICLE SHARE: "Meagan Good Stars In New Film 'Video Girl' [VIDEO]"
So I encourage you all to watch this clip. I’m very conflicted on this one. While I want to see more movies featuring Black actors and stories that normalize a Black experience, I’m not sure if I want this movie to come out. It reflects the hip-hop generation and I’m not sure if this is either an accurate or positive reflection (not all need to be positive but all need to be accurate). Meagan will probably stink it up as an actress as she is wont to do but I think that the movie will be a miss. Unfortunately, with each miss, I think that gives Hollywood another reason to keep Black movies from hitting the screen. Black artists do need safe spaces to experiment and create, for the good or for the bad, but there isn’t much space for that. Maybe if we had more Black owned studios, or studios that cared more about that type of work, or if Tyler would actually produce other’s work on a large scale, maybe we would have those spaces, but alas, we may just have to keep pumping out indie work and hopefully it will be able to counteract the Hollywood Shuffle.
Sorry that I tagged this as black film and not a black movie. I realize how this could be different.
Thoughts?
Recently, Spike Lee was asked about the state of Black media and he referred to current films and television shows as “coonery buffoonery”. Essentially, he was referring to Tyler Perry and last week’s 60 Minutes had his response. Let’s just say that he wasn’t too happy.
Spike Lee continued to correlate the images in Tyler Perry productions with Amos and Andy. Now, I don’t think it was appropriate to associate the two (Amos and Andy was racist no matter how you slice it), but as it goes, I am not the biggest fan of Tyler Perry productions. Spike Lee uses images in a way intended to shed light on social issues and (sometimes) educate. He is very different than Tyler Perry, so I don’t compare the two because they offer different things. They are on the same side of the road in very different lanes.
Now, my skepticism towards Tyler Perry has a lot to do with the images, not Madea specifically, but the content of the movies and TV shows. I, like many, find the consistent images of Black women in his movies to be stereotypical. I find the extreme behavior of Brown (from Meet the Browns) to lack substance. Don’t get me wrong. I’m supportive of Black enterprise and I don’t knock the hustle. I understand that it is supposed to be funny. But I agree with this much of what Spike Lee had to say: we have to do better.
The first thing I hear in Perry’s defense is “it represents real life” or “it fills a void”. Nope. Not buying it. There are ways, and then there are ways. We already don’t own our images, so regardless of it being a Black directed film, we need to be just as critical of the impact that these productions have and not shrug and say that it’s better than nothing. It is because images like these persist that there is such a skewed vision of the Black community in America. I don’t think movies have to represent real life to be good. That is the beauty of media. But if we are going to use this argument, then let it really represent real life, more aspects of real life. Why does real life just have to be an angry single Black woman? Why can’t real life be a married couple trying to make ends meet? Or kids grinding to stay in school? The Black community is so vivid, there is so much culture, so why settle on the stereotypes that are most rampant?
I’m not trying to bash Tyler Perry or call his movies “coonery”. And there are some of the films that are okay. But 10 films later, I’m still waiting. Yeah, these films in the words of Tyler Perry “speak to people”, but I’m waiting on something that will address more elements of the Black experience. It is becoming very one dimensional to me, and all I ask is that if we are gonna hold this up as a representative of the Black community (as many have done), despite the humor, let it have some substance.
Interesting POV Whitney. Check out the links mentioned in the post.
An Open Letter To Tyler Perry. (perfection)
Dear Mr. Perry,
I appreciate your commitment to giving Black folks jobs in front of and behind the camera, having opened the largest Black owned film production studio in the country in Atlanta last year. You own the rights to all of your films, which is not something most filmmakers can say. Your love and concern for Black people is undeniable, as proved yet again when you sent a group of Philly children and their families to Disneyland after they had been the victims of racism at a local community pool. You have also introduced generations of young viewers to some of our most treasured and important artists such as Maya Angelou, Ruby Dee and Cicely Tyson, who have all appeared in your films. And while they are often infused with over-the-top humor, your films contain positive messages about self-worth, love and respect.
However, my feelings about your work are somewhat complicated, as is the case for a lot of my fellow Black artists/intellectuals. Much of what we see in your films, particularly the Medea series and your two TV shows ‘Meet The Browns’ and ‘House Of Payne’, is in step with decades old stereotypes of bumbling, emasculated Black male buffoons and crass, sassy Black women. To be completely honest, my circles of friends (many of whom enjoy your film work) find the TBS shows to be wholly unwatchable. As Spike Lee said recently “As African-Americans, we’re not one monolithic group”, thus there is no problem with having diverse images of us on the screen, “But at the same time, for me, the imaging is troubling and it hearkens back to ‘Amos ‘n Andy’.”
As much as I would like to support your series, especially given the complete dearth of Black shows on television, I simply cannot. In fact, it is the lack of other Black programming that makes the problems with ‘Meet the Browns’ and ‘House of Payne’ so glaring and painful. While both network television and cable have been cruel to Blacks over the past few years, least we not forget that we have a long list of critically acclaimed Black television shows in our past that did not toe the line between comedy and coonery. Among them: ‘The Jeffersons’, ‘227’, ‘Amen’, ‘The Cosby Show’, ‘A Different World’, ‘Roc’, ‘Living Single’, ‘The Bernie Mac Show’ (the only thing resembling a direct descendant to ‘The Cosby Show’s’ family sitcom legacy thus far), etc. There is no reason to believe that Black audiences are less sophisticated in 2009 than they were in 1989 and that we would not be receptive to a show that resembled one of the ones that I mentioned. While I am tempted to watch your shows because they are pretty much the only Black ones on television, I don’t want to send the message to networks and advertisers that I as a Black consumer find those images to be acceptable.
By not submitting your films for pre-release review by critics, you have sent a strong message to the White guardians of Hollywood that you do not require their approval to have a hit film and that is admirable. You notably attacked a negative review by Roger Ebert of ‘Diary of a Mad Black Woman’, stating that he did not understand the film because it wasn’t for him. I agree that cultural ownership of our stories is important and that what we experience as a people cannot always be appreciated or understood by others. However, I and many other Black viewers have expressed some of the very same attitudes about your work that Ebert and other White critics articulated. You’ll have a very poignant story going and then here is this jarring, over-the-top Medea character in the middle of it all. It’s akin to giving a child candy in order to make them take their vitamins and I find it to be a bit insulting.
In most of your films, you are a lead actor, the screenwriter, director and executive producer. While you are obviously a man of many talents, know that hubris is the downfall of many a great man. Given that there are so few opportunities for Black artists in Hollywood, you would best use your power for the greater good of our people by removing some of the many hats that you wear and distributing them amongst your artistic peers. One of the biggest, and oft-ignored, criticisms of your work has been the writing. You are obviously capable of creating these very engaging and unique stories and in the hands of a masterful writer, one of your films could silence all the critics and naysayers.
As far as the Medea character goes, I won’t say much as you have again recently expressed your desire to stop portraying her. I’d be lying if the gun-toting, pot smoking granny never gave me a chuckle and the character certainly has a lot of heart and something very earnest about her. However, I can’t help but to feel that through her, the country has had the opportunity to laugh at one of the most important members of the Black community: the “Big Mama”, the beloved grandmother. And while our grannies are often these boisterous, over-the-top figures, I just can’t quite get with seeing Big Mama completely desexualized and played by a 6’3 man with prosthetic breasts flopping in the wind. Our grandmothers deserve much more than that.
At this point, you have created an empire on the foundation of love, Christianity and concern, but also stereotype and Black pathologies. Mr. Perry, you are in a position now where if you be so willing, you could completely revolutionize the world of Black film. I appreciate the step that you and your friend Oprah have taken in helping to fund the soon-to-be released Lee Daniels film ‘Precious’ and I hope that you continue to support the work of other Black directors. Please bring both fledgling and seasoned Black writers and directors to your studios and use the many tools that you have worked so hard for so that the next young artist doesn’t have struggle as you did to get his voice heard. There is so much talent within our ranks and you are one of the few folks in a position to get that talent in people’s homes.
I beg of you, Mr. Perry- stop dismissing the critics as haters and realize that Black people are in great need of new and honest images of us in the media. We have had men in dresses who weren’t actual drag performers and we’ve had bumbling buffoons and loud, aggressive mammies. I know you have more, because we are more and YOU are more. It is obvious that your people will be loyal to you and support you no matter what. So do right by us. I think you love us enough to do just that.
Sincerely,
Sister Toldja(via)thebeautifulstruggler.blogspot.com
via rahe’s facebook
